Musically, his expression builds first on a Ugandan heritage, particularly its varied rhythmic patterns and the specific style of music played at the kadodi, an ancient circumcision ceremony that Mostrixx describes as being ‘about a tribe creating this energy of bravery to get into a trance.’ These antique local rhythm patterns are balanced with influences from further afield: downtempo, deep and Afro House elements melded with sub-heavy dub, footwork and amapiano, East and South African polyrhythms, modern urban styles, and age-old chants from the Nile Basin. Horizons are further expanded with field recordings from Uganda, Congo, Ethiopia and Tanzania, some by Mostrixx and others, from the 1950s, taken from the International Library of African Music.